Over the next decade, she straddles both worlds, performing, composing, and navigating relationships with Woferl and her domineering father in one while battling supernatural foes for Hyacinth in the other. As Nannerl craves her father’s attention and wishes to escape the inevitable anonymity that womanhood promises, she agrees. Hyacinth, a beautiful, shadowy boy, pale and blue-eyed, is the go-between who offers Nannerl figurative immortality in return for her help. Lu ( Rebel, 2019, etc.) interweaves 18th-century historical figures and events with a fantasy land called the Kingdom of Back, an alternate world actually invented and named by the real Mozart siblings, Nannerl and Woferl, where trees grow upside down and a prince and princess are missing.
The year clavier prodigy Maria Anna Mozart’s younger brother, Wolfgang Amadeus, begins to show an even more astonishing musical genius, a mysterious boy from a fairy land enters her life.
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